[3] Paul P's early work which he described as "melancholic"[3] was drawn from early 80's pre-AIDS era gay pornography,[4] using appropriated photographs from The ArQuives (formerly the Canadian Lesbian and Gay Archives) in Toronto.
[6] The nuances of light and atmosphere were primary concerns and his work sometimes has been influenced by figures in art history such as James McNeill Whistler and John Singer Sargent.
[7] He also has made sculpture as in his installation "Writing Table for Nancy Mitford" at the 2014 Whitney Biennal.
[8] Selected solo exhibitions include: Dusks, Lamplights, The Power Plant, Toronto (2007); Slim Volume, Queer Thoughts, New York (2019); Gamboling Green, Cooper Cole, Toronto (2020); Vespertilians, Maureen Paley, London, England (2022); Friendly in the Knife-edged Moment, Oakville Galleries, Ontario (2022); Early Skirmishes, Hordaland Kunstsenter, Bergen, Norway (2022); and Paul P.: Amor et Mors, National Gallery of Canada (2023), curated by Sonia Del Re, senior curator of Prints and Drawings, of a group of 30 works acquired by the collection in 2020 created by Paul P. between 2003 and 2019, along with about 15 works from the collection.
[9][8] Doe Ye Nexte Thynge, 2013 Last Flowers, Invisible Exports/Downtown Arts, 2012, text by Daniel Reich, 2012 The Radiant Guest (Paul P. and Scott Treleaven), Publication Studios, Toronto, 2011 The Pink Book, Daniel Reich Gallery, 2010, text by Harold Montague Venice, Venice, Marc Selwyn Fine Art, 2009 Paul P.- When Ghost Meets Ghost / Peter Hujar, Maureen Paley, 2008, text by Vince Aletti Blue and Silver, Galerie Thaddaeus Ropac, 2007, text by Francois Jonquet Nonchaloir, Powerhouse books, 2007, text by Collier Schorr Places Names, the Place, Daniel Reich Gallery, 2007, text by David Velasco The Yellow Room, Marc Selwyn Fine Art, 2006, text by Vince Aletti Grey and Gold, Galerie Thaddaeus Ropac, 2005, text by Michel Bulteau