[10] The book includes contributions from Yves Aupetitallot, Mary Jane Jacob, Lu Jie, Raimundas Malašauskas, Alan W. Moore, Seth Siegelaub with Teresa Gleadowe, Jennifer (Licht) Winkworth and an introduction by Bruce Altshuler.
In 2015, Marincola coedited a web-based keywords anthology titled In Terms of Performance[11] with Shannon Jackson,[12] the Cyrus and Michelle Hadidi Chair in the Humanities and Associate Vice Chancellor for the Arts and Design at the University of California, Berkeley.
Designed to generate shared literacies for understanding the goals, skills, and artistic traditions of experimental interdisciplinary work, In Terms of Performance features texts and interviews from artists, curators, presenters, and scholars (including Janine Antoni, Judith Butler, Lucinda Childs, Pablo Helguera, William Kentridge, and Yvonne Rainer) whose work reflects on relations among visual art, theatrical, choreographic, and performance art practices.
Illustrated by Sarah McEneaney, the book imagines curators (including Jens Hoffmann, Stuart Horodner, Hou Hanru, Helen Molesworth, Jessica Morgan, Ralph Rugoff, Ingrid Schaffner, Paul Schimmel, Claire Tancons, and Nato Thompson) as birds alighting to respond to a set of questions about their work and connects their responses into an extended conversation.
Contributors include Lynne Cooke, Carlos Basualdo, Ralph Rugoff, Iwona Blazwick, Ingrid Schaffner, Mark Nash, Mary Jane Jacob, and Jeffrey Kipnis.