Peronet Lamy

[6] In 1434, before he had even ceased work on the Apocalypse, Lamy illuminated a book of hours for Anne of Lusignan, giving it one hundred gold letters.

In 1436 Lamy completed a Nativity scene for the frontispiece of a Gospel book commissioned by Pietro Donato; the rest of the illuminations in this work were done by Johannes de Monterchio.

While the bulk of the Gospel lectionary is in the Paduan style, the frontispiece is distinctly un-Italian; it was once attributed to an Upper Rhenish artist.

[9] Donato hired Lamy again to work on the miniatures for his copy of the Codex Spirensis, an important Carolingian compilation containing notably the Notitia Dignitatum and De rebus bellicis.

[10] The architectural illustrations in the Notitia appear influenced by the manuscript workshop of the French regent, John, Duke of Bedford.

His next major work as an unidentified psalter and then, in November 1443, unspecified aucunes enlumineures, for which the Savoyard court paid him five gold ducats.