[4] Reviewing the album for Record Mirror, Eleanor Levy gave it one out of five , writing "Without the slightest ruffling of the cerebral hemisphere, Phil Fearon's music goes in the right ear and out the left."

The problem is, it can't touch or move anybody either", concluding that it is "slick but boring".

[3] Reviewing for Number One, Nick Adams gave the album three out five, writing "Now that Shalamar are gone, Phil plays the pop game better than any other black act.

The result is the string of chart hits collected here into an amiable mixture of dance steps and smoochy ballads.

"[2] Retrospectively reviewing for AllMusic, Sharon Mawer gave the album three and a half stars out of five, writing "Five of the nine songs were released as singles with three of them going Top 10 in an era when it was the norm to release track after track to keep the album in the public eye, and although the album's chart run was short (only eight weeks) it made a suitable impression, carrying on from where Kid Creole & Coconuts and Modern Romance had left off with a series of bite sized funk-pop-dance songs, all sounding as if the band were having great fun, which they probably were."