By 1999, he had removed spoken commentary entirely, focusing solely on the manipulation of images and sounds, adjusting each presentation with props, voice-overs, and positioning of the screen.
[8] Another major work, The Great Escape (2012), involved a multimedia performance featuring dance imagery and music by Amy Winehouse, creating a dynamic interplay between images and movement.
[10] One notable evolution of this work was Diaporama/Vestiaire (2006), an interactive event in which attendees' coats were incorporated into the performance, creating a visual and conceptual interplay between audience and screen.
The project expanded into an ongoing series of screenings featuring unconventional and marginal films, often structured as thematic montages or guest presentations.
[10] Inspired by Gilles Deleuze's notion that cinema "surrounds images with a world", Leguillon manipulates screening formats to explore how context shapes perception.
[11] In 2013, Leguillon established the Museum of Mistakes in Brussels, an institution dedicated to challenging art-historical norms and dismantling traditional museological structures.
[12] His 2019 exhibition Learning from Looking at the Fondation Pernod Ricard in Paris featured works created with Kyozo Shimogawa, a Japanese master of the Kasuri weaving technique.
It employs natural fibers and pigments while incorporating Jacquard looms imported by Shimogawa's grandfather and adapted to the dimensions of kimono fabric strips.
[14] Leguillon's work has been exhibited at numerous prestigious institutions, including the Louvre, Paris (2009); MAMCO, Geneva (2010); Moderna Museet, Malmö (2010); WIELS, Brussels (2015); and Frye Art Museum, Seattle (2019).