At this time they defined the purpose of his art as 'for my own stimulation', indicating they future direction in one of their exhibits in the 1965 Surrealist show – a dildo.
Between 1965 and his suicide in 1976, he chronicled his exploration of his subconscious transsexual desires in "Cent Photographies Erotiques": graphically detailed images of pain and pleasure.
Molinier, with the aid of a remote control switch, also began to create photographs in which he assumed the roles of dominatrix and succuba previously taken by the women of his paintings.
In these black and white photographs, Molinier, either alone with doll-like mannequins or with female models, appears as a transvestite, transformed by his 'fetish' wardrobe of fishnet stockings, suspender belt, stilettos, mask and corset.
Like his father before them, Molinier committed suicide at 76 years of age with a gun in his mouth [4] or by hanging himself in a hotel room, leaving a note saying "I’m taking my life.
Molinier echoes the ancient Shamanic tradition and experiments in sexual transformation can be interpreted as an attempt to regain the primordial, Platonic perfection of the androgyne.