A miraculous wooden sculpture of the Virgin, perhaps from the twelfth century, was the object of wide veneration, particularly by a lay company of Florence, which annually came in procession.
Sometime partakers in this procession were the archbishop, St. Antoninus, and Pope Leo X, as well as members of the Medici family.
Anthony of Padua, Mary Magdalene and Catherine of Alexandria by Francesco Curradi, and two panels with a Nativity between Sts.
Domenico Ghirlandaio painted the murals the occupy the Aspe at the head of the right aisle, to the right of the main altar.
The frescoes were walled up sometime in the seventeenth century when the apses were closed and the main chapel enlarged.