All the stories were first published in The New Yorker unless otherwise indicated:[5] "Walter Briggs" (April 11, 1959 [titled "Vergil Moss"]) "The Persistence of Desire" (July 11, 1959)"Still Life" (January 24, 1959) "A Sense of Shelter" (January 16, 1960) “Flight” (August 14, 1959) “Should Wizard Hit Mommy?” (June 13, 1959) "Dear Alexandros" (October 31, 1959) "Wife-Wooing" (March 12, 1960) "Pigeon Feathers" (April 19, 1961) Home" (July 9, 1960) "Archangel" (Big Table Quarterly, 1960) "You'll Never Know, Dear, How Much I Love You" (June 18, 1960) "The Astronomer" (April 1, 1961) "A&P (short story)" (July 22, 1961) "The Doctor's Wife" (February 11, 1961) "Lifeguard" (June 17, 1961) "The Crow in the Woods" (Transatlantic Review, Winter 1961) "The Blessed Man of Boston, My Grandmother's Thimble, and Fanning Island" (January 13, 1962) "Packed Dirt, Churchgoing, A Dying Cat, A Traded Car" (December 16, 1961) “‘Pigeon Feathers’ demonstrates a masterful command of language and technique.

[7] Time magazine registered some doubts as to the seriousness of Updike’s literature: “This dedicated 29-year-old man of letters says very little, and says it very well…The impressions left are of risks untaken, words too fondly tasted, and a security of skill that approaches smugness.”[8] Literary critic Arthur Mizener, writing in the New York Times Book Review offered this fulsome praise for the collection: “It is a demonstration of how the most gifted writer of his generation is coming to maturity; it shows that Mr. Updike’s fine verbal talent…is beginning to serve his deepest insight…”[9] Mizener cautions that Updike, taken to embellishing his fiction with “radically irreverent decorative charm” risks “losing track of something he started to express in {Pigeon Feathers and Other Stories] - that is, his sense of life itself - that is far more important than elegance.”[10] Biographer Adam Begley notes that Pigeon Feathers, as well as Vladimir Nabokov’s Pale Fire ,each were finalists for the 1962 National Book Award.

[15]The stories in Pigeon Feathers provide evidence of Updike’s increasing technical mastery in linking his character’s internal narratives with their external experience, both past and present.

Updike writes best of simple people; but in this collection he does not always close the gap between style and emotion, between outside and inside.”[17] Commenting on the underlying themes in the collection, literary critic Robert Detweiler observes that “In Pigeon Feathers...the accent shifts to the individual in greater spiritual isolation and in a struggle to come to terms with the universe itself, even though the context is the familiar round of ordinary events…these stories emphasize…the existence and awareness of design in all human events and conditions.”[18] The short story "Pigeon Feathers" was adapted into a film and presented in 1988 on the Public Broadcasting American Playhouse series.

It was directed by Sharron Miller and starred Christopher Collet, Caroline McWilliams, Jeffrey DeMunn, Lenka Peterson, and Boyd Gaines.