Polynesian mythology

Prior to the 15th century AD, Polynesian peoples fanned out to the east, to the Cook Islands, and from there to other groups such as Tahiti and the Marquesas.

There are also substantial cultural similarities between the various groups, especially in terms of social organization, childrearing, horticulture, building and textile technologies; their mythologies, in particular, demonstrate local reworkings of commonly shared tales.

There is often a story of the marriage between Sky and Earth; the New Zealand version, Rangi and Papa, is a union that gives birth to the world and all things in it.

In addition to these shared themes in the oral tradition, each island group has its own stories of demi-gods and culture heroes, shading gradually into the firmer outlines of remembered history.

The purpose of genealogies in oral societies generally is not to provide a 'true' account, but rather to emphasise the seniority of the ruling chiefly line, and hence its political legitimacy and right to exploit resources of land and the like.

In New Zealand, the writings of one chief, Wiremu Te Rangikāheke, formed the basis of much of Governor George Grey's Polynesian Mythology, a book which to this day provides the de facto official versions of many of the best-known Māori legends.

As a result, Makea Takau's version became the official history of the chiefly line, removing the possibility of dissent.

Tiki Makiʻi Tauʻa Pepe (foreground) and Tiki Manuiotaa (background) from the meʻae Iʻipona on Hiva Oa in the Marquesas Islands
A sacred god figure wrapping for the war god 'Oro , made of woven dried coconut fibre ( sennit ), which would have protected a Polynesian god effigy ( to'o ) made of wood