Portrait of Baudouin de Lannoy

It shows Baldwin of Lannoy, a contemporary Flemish statesman and ambassador for Philip the Good at the court of Henry V of England.

[1] From surviving documents it is known that the work was commissioned to mark his entry into the order Baudouin de Lanno.

The man is shown in a formal pose, holding a wooden stick in his right hand, and a gold ring on his little finger.

Van Eyck's surviving early portraits typically show the sitter holding an emblem of his profession and class.

However, the artist has done nothing to embellish the portrait, presenting the man as he actually looked, with no hit or trace of the idealisation of the early 15th century.

Portrait of Baudouin de Lannoy , oil on oak, 26 cm × 20 cm, c. 1435. Staatliche Museen zu Berlin , Gemaldegalerie , Berlin
Portrait of Edward Grimston , Petrus Christus , 1446. National Gallery , London. Christus was influenced by van Eyck, and this formal portrait served a similar function to de Lannoy's, in that it marks his entry to the Order of the Golden Fleece. [ 2 ]