Later, he wrote and published a number of texts clarifying the author's philosophy, where he outlined the conceptual components and visual markers of his idea.

Masks are the main element of the performances Fire, Water, Earth held in a number of countries: Russia, Finland, Poland, Croatia, Montenegro, Tunisia, etc.

[3] A marker of post-urban tendencies in contemporary society, to a certain extent, is the ever-increasing interest in archaic practices of clan-tribal identification: tattoos, scarification, piercing, various types of body deformation, implantation and branding.

Their structure, like the engraving itself, is generally borrowed from nature, reminiscent of the cunning moves of woodworm beetles on the surface of trees.

[5] Appealing to the language of proto-art as a tool most adequate to the program tasks, the project enters into a resonant dialogue-conflict with modern society, its ideologies, ideals, and mythology.