[1] These simply constructed church buildings were sometimes built by enslavers for their captives as they "regarded Christianity as a stabilizing influence over slaves" and after emancipation the surviving structures "became important sources of leadership and community among freed African-Americans.
"[3] The true shouť takes place on Sundays or on 'praise'-nights through the week, and either in the praise-house or some cabin in which a regular religious meeting has been held.
Let it be the evening, and a light-wood fire burns red before the door to the house and on the hearth.… The benches are pushed back to the wall when the formal meeting is over, and old and young, men and women, sprucely-dressed young men, grotesquely half-clad field hands—the women generally with gay handkerchiefs twisted about their heads and with short skirts, boys with tattered shirts and men's trousers, young girls barefooted—all stand up in the middle of the floor, and when the 'sperichil' is struck up, begin first walking and by-and-by shuffling round, one after the other, in a ring.
The foot is hardly taken from the floor, and the progression is mainly due to a jerking, hitching motion, which agitates the entire shouter, and soon brings out streams of perspiration.
But more frequently a band, composed of some of the best singers and of tired shouters, stand at the side of the room to 'base' the others, singing the body of the song and clapping their hands together or on the knees.