In the following years, this sound spread both domestically and internationally, leading to the formation of the New York Dolls and Electric Eels in the United States, Dr. Feelgood in England, and the Saints in Australia.
The book cites this style as being pioneered in Detroit by the Stooges and MC5, who were influenced by the Velvet Underground and the earlier garage rock genre, with the sound then spreading to the United Kingdom, New York and Cleveland, Ohio.
"[12] Ellis writes: "Forerunners of punk by 20 years, Donegan and the thousands of other skiffle acts that sprang up after 'Rock Island Line' wrested control from the establishment, democratizing the industry in the process.
[32][33] The hit single "Psychotic Reaction" from 1966 by the garage band Count Five featured fuzztone guitars[34] and blazed the trail for punk rock, influencing the development of a new musical style.
'Brain Police'), formed in 1969 and disbanded in 1975, mixed garage, psychedelic rock and folk; the band's first two albums were withdrawn from public sale after their lyrics were described in Mark Anderson's book The Encyclopedia of Contemporary Japanese Culture to violate industry regulations, with their "spirit... [being] taken up again by the punk movement.
"[41] According to Allmusic, glam rock also "inspired many future punks with its simple, crunchy guitar riffs, its outrageous sense of style, and its artists' willingness to sing with British accents (not to mention the idiosyncratic images of David Bowie and Roxy Music)".
[48] The sound of these albums influenced a wave of subsequent bands in Michigan, which notably included the Dogs, the Punks and Death, the latter a pioneering but commercially unsuccessful African-American proto-punk group.
[55] Influenced by Detroit proto-punk,[5] this style made use of stripped down, back to its basics, rock music similar to punk, and was fronted by groups including Dr. Feelgood, Tyla Gang, Eddie and the Hot Rods and Count Bishops.
[56] Many of the early British punk scene's musician began their careers in pub rock acts, including the 101ers (Joe Strummer, Richard Dudanski, Tymon Dogg), Kilburn and the High Roads (Ian Dury, Nick Cash) and Flip City (Elvis Costello).
[55] At the same time as pub rock, the influence of the New York Dolls had spread to London, where a wave of glam punk bands, including Hollywood Brats and Jet, coalesced by the middle of the decade.