[7] Barbieri and Saisse opted for more of a smooth jazz sound, and also incorporated synthesizers and programmed drums.

[13] The Record deemed the album "a softer blend of Latin hip-hop," writing that "it often is overloaded with the unnatural, plasticized sounds brought on by programming and overdubbing.

"[10] Hispanic noted that "Barbieri's one-of-a-kind muscular tone is sensual and exotic, with a universal appeal that makes his music timeless pop.

"[18] The Jerusalem Post concluded that, "having traveled, over the course of three decades, from primeval, screaming wildness to soft, minimal whispers, Barbieri now steers an elegant, knowing, and sensuous middle course.

"[19] AllMusic wrote that Barbieri "does little other than state the 11 melodies (which range from catchy to completely forgettable), and the backing is quite anonymous, over-produced and obviously geared for potential radio airplay.