Phelps already possessed the RCA Victor receptors, discs and equipment players, Underwood typewriters, Frigidaire refrigerators, Delco power plants, and Ford cars and trucks.

[1] One of them, which was held on 9 December 1930 and took place in the Plaza del Teatro Nacional during the dedication of the statue of Henry Clay, was the first remote transmission in Venezuela.

[1][2] The next day, from the ballroom of the La Guaira Country Club, the performances of a band from the US Navy cruiser USS Northampton was aired in light of their visit to the port city.

In 1933, Francisco Fossa Andersen was put in charge of El Diario Hablado, where he remained for 15 years and created his own personal style in the narration of news.

[1] It was in 1932 that Alfredo Cortina and Mario García Arocha wrote the very first radionovela: the comedy Santa Teresa, whose quality and humor kept it on the air for four years.

The plot caused so much excitement in the listeners that it was kept on the air for many months, and not only managed to entertain the audience, but described, in the development of each episode, several areas of the country during an era in which only a few people travelled.

A star-studded cast protagonized the story written by Alfredo Cortina, most notably Edgar Anzola as Herr Mullernb and Indio Miguel; Margot Antillano as Eulalia; Cecilia Martínez as Alida Palmero; Luis Alfonso Larrain as Jaime, and Francisco Fossa Andersen as Dr. Aular.

[1] After this experience came El Misterio de las Tres Torres, a radionovela with a political touch written after the fall of the Gómez dictatorship.

It starred Antonio José Marcano and Alejandro Arratia Oses and was written by Tulio Flores and Pablo Sosa Guzmán, among others.

Titles such as Las Sombras del Otro and Tú también eres mi Hija, caused a big impact on its listeners.

Finally, another well-remembered radionovela transmitted by Radio Caracas was Cuatro Horas antes de Morir with Tomás Henríquez.

[2] In 1942, Radio Caracas launched El Reporter Esso presented by the Creole Petroleum Corporation (a subsidiary of Standard Oil of New Jersey).

This famous news segment gave the rise to big voices such as Amable Espina, Francisco Amado Pernía, Marco Antonio Lacavalerie, and Carlos Quintana Negrón, among others.

Rising stars such as Edgar J. Anzola, Ricardo Espina, Francisco Fossa Andersen, Mario García Arocha, Esteban Ballesté, Oscar Eduardo Rickel, Justo Piñero Rojas, Luis Brito Arocha, Billo Frómeta, Rafael Guillermo Zamora, Renny Ottolina, Angel Edmundo Brice, Alberto Oyarzábal, Alcides Toro, Enrique Vera Fortique, Antonio Castes, Víctor Saume, Amable Espina, León Bravo, José Matías Rojas, Enrique Ascanio Buróz, Domingo Hurtado, Juan Francisco Rodríguez, Félix Cardona Moreno, Ulises Acosta, Leandro Azuaje, Francisco Amado Pernía, Héctor Mayerston, Jesús Maella, Ernesto D' Escrivan, Alberto Blanco Uribe, and Eduardo Martínez Plaza, among others came from here.

[1] A famous journalist claims that the overthrow of General Isaías Medina Angarita was consolidated when one of the leaders of the civil-military coup of 18 October 1945 spoke on Radio Caracas and made a call to the public to incorporate into the "revolution".

The 1970s gave rise to new programs on Radio Caracas Radio: Venezuela Canta Así, hosted by Jorge Galvis; Por el Mundo de la Música, a program dedicated to the broadcast of classical music which was hosted by professor José Antonio Calcaño and aired between 1975 and 1978, a date in which the famous Venezuelan musicologist died; Venezuela en los 750, produced and narrated by William Guzmán; La Gran Consulta Popular, a program produced and hosted by Miguel Toro in which the general public could interrogate the invited guests through telephone calls.