Rashtrakuta Empire

[9] Theories about the dynastic lineage (Surya Vamsa—Solar line and Chandra Vamsa—Lunar line), the native region and the ancestral home have been proposed, based on information gleaned from inscriptions, royal emblems, the ancient clan names such as "Rashtrika", epithets (Ratta, Rashtrakuta, Lattalura Puravaradhiswara), the names of princes and princesses of the dynasty, and clues from relics such as coins.

[35][36][37] He then helped his son-in-law, Pallava King Nandivarman II regain Kanchi from the Chalukyas and defeated the Gurjaras, and the rulers of Kalinga, Kosala and Srisailam.

[40][42][43][44] He led successful expeditions to Kannauj, the seat of northern Indian power where he defeated the Pratiharas and the Palas of Bengal, gaining him fame and vast booty but not more territory.

Amoghavarsha I made peace with the Western Ganga dynasty by giving them his two daughters in marriage, and then defeated the invading Eastern Chalukyas at Vingavalli and assumed the title Viranarayana.

[64][65] His rule was not as militant as that of Govinda III as he preferred to maintain friendly relations with his neighbours, the Gangas, the Eastern Chalukyas and the Pallavas with whom he also cultivated marital ties.

[66][67] His Kavirajamarga is considered an important landmark in Kannada poetics and Prashnottara Ratnamalika in Sanskrit is a writing of high merit and was later translated into the Tibetan language.

[69] During the rule of Krishna II, the empire faced a revolt from the Eastern Chalukyas and its size decreased to the area including most of the Western Deccan and Gujarat.

Indra III recovered the dynasty's fortunes in central India by defeating the Kingdom of Malwa and then invaded the doab region of the Ganges and Jamuna rivers.

[75][76][77][78][79] In 972 CE.,[80] during the rule of Khottiga Amoghavarsha, the Malwa King Siyaka Harsha attacked the empire and plundered Manyakheta, the capital of the Rashtrakutas.

[81] The final decline was sudden as Tailapa II, a feudatory of the Rashtrakuta ruling from Tardavadi province in modern Bijapur district, declared himself independent by taking advantage of this defeat.

Since the Rashtrakutas successfully captured Kannauj, levied tribute on its rulers and presented themselves as masters of North India, the era could also be called the "Age of Imperial Karnataka".

Abilities were considered more important than age and chronology of birth, as exemplified by the crowning of Govinda III who was the third son of king Dhruva Dharavarsha.

Inscriptions suggest these guilds had their own militia to protect goods in transit and, like village assemblies, they operated banks that lent money to traders and businesses.

[121] Scholars have offered various arguments regarding which specific religion the Rashtrakutas favoured, basing their evidence on inscriptions, coins and contemporary literature.

Scholars have suggested that Jainism was a principal religion at the very heart of the empire, modern Karnataka, accounting for more than 30% of the population and dominating the culture of the region.

The Sanjan inscriptions tell of King Amoghavarsha I sacrificing a finger from his left hand at the Lakshmi temple at Kolhapur to avert a calamity in his kingdom.

Jumma Masjids existed in the Rashtrakuta empire by the 10th century[130] and many Muslims lived and mosques flourished on the coasts, specifically in towns such as Kayalpattanam and Nagore.

Muslim settlers married local women; their children were known as Mappilas (Moplahs) and were actively involved in horse trading and manning shipping fleets.

[148] Sati (a custom in which a dead man's widow would immolate herself on her husband's funeral pyre) was practiced but the few examples noted in inscriptions were mostly in the royal families.

The Atakur inscription (hero stone, virgal) was made for the favourite hound of the feudatory Western Ganga King Butuga II that died fighting a wild boar in a hunt.

Old persons suffering from incurable diseases preferred to end their lives by drowning in the sacred waters of a pilgrim site or by a ritual burning.

Court poets and royalty created eminent works in Kannada and Sanskrit that spanned such literary forms as prose, poetry, rhetoric, the Hindu epics and the life history of Jain tirthankars.

Bilingual writers such as Asaga gained fame,[156] and noted scholars such as the Mahaviracharya wrote on pure mathematics in the court of King Amoghavarsha I.

Art historian Adam Hardy categorizes their building activity into three schools: Ellora, around Badami, Aihole and Pattadakal, and at Sirval near Gulbarga.

[169] The Rashtrakuta contributions to art and architecture are reflected in the splendid rock-cut cave temples at Ellora and Elephanta, areas also occupied by Jain monks, located in present-day Maharashtra.

The Ellora site was originally part of a complex of 34 Buddhist caves probably created in the first half of the 6th century whose structural details show Pandyan influence.

[171] The most extensive and sumptuous of the Rashtrakuta works at Ellora is their creation of the monolithic Kailasanath Temple, a splendid achievement confirming the "Balhara" status as "one among the four principal Kings of the world".

[185] Contemporaneous literature and inscriptions show that Kannada was not only popular in the modern Karnataka region but had spread further north into present day southern Maharashtra and to the northern Deccan by the 8th century.

[187][188][189] Higher education in Sanskrit included the subjects of Veda, Vyakarana (grammar), Jyotisha (astronomy and astrology), Sahitya (literature), Mimansa (Exegesis), Dharmashastra (law), Puranas (ritual), and Nyaya (logic).

[190] An inscription in Kannada by King Krishna III, written in a poetic Kanda metre, has been found as far away as Jabalpur in modern Madhya Pradesh.

Kashivishvanatha temple at Pattadakal , Karnataka
Jain Narayana temple at Pattadakal , Karnataka
A stanza from the 9th century Kannada classic Kavirajamarga , praising the people for their literary skills
Kailasanath Temple at Ellora, Maharashtra
Dravidian style architecture. Top view of Navalinga Temples at Kuknur , Karnataka
9th century Old Kannada inscription at Navalinga temple in Kuknur , Karnataka