The album features productions by Bad Boy founder Sean "Puffy" Combs, Easy Mo Bee, Chucky Thompson, DJ Premier, and Lord Finesse, among others.
[5] In 2024, the album was selected to the National Recording Registry by the Library of Congress as being "culturally, historically, and/or aesthetically significant".
Biggie started recording his debut album in 1993 in New York, after making numerous guest appearances among his label-mates' singles around that time.
[7] When executive producer Sean "Puffy" Combs was fired from Uptown, Biggie's career hung in limbo, as the album was only partially completed.
After a brief period dealing drugs in North Carolina,[8] Biggie returned to the studio the following year on Combs' new Bad Boy Records label possessing "a smoother, more confident vocal tone" and completed the album.
[9] On March 24, 2006, Bridgeport Music and Westbound Records won a federal lawsuit against Bad Boy Records for copyright infringement, with a jury deciding that Combs and Bad Boy had illegally used samples for the production of the songs "Ready to Die", "Machine Gun Funk", and "Gimme the Loot".
[10][11] The jury awarded $4.2 million in punitive and direct damages to the two plaintiffs, and federal judge Todd Campbell enacted an immediate sales ban on the album and tracks in question.
[11] On appeal, the Sixth Circuit found the damages unconstitutionally high and in violation of due process and remanded the case, at which point Campbell reduced them by $2.8 million; however, the verdict was upheld.
[15] On April 2, 2014, Lee Hutson of The Impressions filed a multimillion-dollar copyright infringement suit against Combs, Bad Boy Records, and the estate of the late Notorious B.I.G.
[16] The estate countersued in turn, claiming the sample as used was short, adapted, and supplemented, and thus subject to fair use,[17] a legal tactic not pursued previously.
The tracks only enhance them, whether it's the live bass driving a menacing undercurrent or [the] use of bluesy guitar and wah-wah feedback" and that the production is used to "push the rapper to new heights.
[19] Touré, writing for The New York Times, referred to The Notorious B.I.G., proclaiming that he stood out from other rappers because "his lyrics mix autobiographical details about crime and violence with emotional honesty, telling how he felt while making a living as a drug dealer".
[19] In the original Rolling Stone review, Cheo H Coker declared that he "maintains a consistent level of tension by juxtaposing emotional highs and lows".
[23] Three singles were released from the album: "Juicy", "Big Poppa", "One More Chance" and a promotional track of Biggie: "Warning".
"[26] Producer Pete Rock, who was commissioned to remix the track, alleged that Puffy stole the idea for the original song's beat after hearing it from him during a visit.
In his review for Rolling Stone, Cheo H. Coker stated "Ready to Die is the strongest solo rap debut since Ice Cube's AmeriKKKa's Most Wanted.
[18] Robert Christgau from The Village Voice commented "His sex raps are erotic, his jokes are funny, and his music makes the thug life sound scary rather than luxuriously laid back.
[29] The New York Times wrote "Though drug dealing carries tremendous heroic value with some young urban dwellers, he sacrifices the figure's romantic potential.
His raps acknowledge both the excitement of drug dealing and the stress caused by the threat from other dealers, robbers, the police and parents, sometimes one's own.
[1] Q magazine gave Ready to Die three out of five stars, and stated "the natural rapping, clever use of sound effects and acted dialogue, and concept element (from a baby being born at the start to the fading heartbeat at the end) set this well apart from the average gangsta bragging".
[30] In their original review for Ready to Die, The Source gave it four-and-a-half out of five 'mics', stating "Big weaves tales like a cinematographer, each song is like another scene in his lifestyle.
Overall, this package is complete: ridiculous beats, harmonizing honeys, ill sound effects, criminal scenarios, and familiar hooks".
[40] Kilian Murphy from Stylus Magazine wrote favorably of the album in a retrospective review, and concluded "Sweet, hypocritical, sensitive, violent, depressed and jubilant; these words could all fittingly describe Big at various points on Ready to Die.
"[41] Steve Huey from AllMusic gave it five stars, stating "The album that reinvented East Coast rap for the gangsta age, Ready to Die made the Notorious B.I.G.
Today it's recognized as one of the greatest hardcore rap albums ever recorded, and that's mostly due to Biggie's skill as a storyteller".