A rebus (/ˈriːbəs/ REE-bəss) is a puzzle device that combines the use of illustrated pictures with individual letters to depict words or phrases.
A more sophisticated example was the rebus of Bishop Walter Lyhart (d. 1472) of Norwich, consisting of a stag (or hart) lying down in a conventional representation of water.
The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder Non verbis, sed rebus, which Latin expression signifies "not by words but by things"[1] (res, rei (f), a thing, object, matter; rebus being ablative plural).
[2] Rebuses are used extensively as a form of heraldic expression as a hint to the name of the bearer; they are not synonymous with canting arms.
For example, Sir Richard Weston (d. 1541) bore as arms: Ermine, on a chief azure five bezants, whilst his rebus, displayed many times in terracotta plaques on the walls of his mansion Sutton Place, Surrey, was a "tun" or barrel, used to designate the last syllable of his surname.
An example of canting arms proper are those of the Borough of Congleton in Cheshire consisting of a conger eel, a lion (in Latin, leo) and a tun (barrel).
In linguistics, the rebus principle is the use of existing symbols, such as pictograms, purely for their sounds regardless of their meaning, to represent new words.
[20] Today the most often seen of these symbols is a picture of a sickle, a circle, and the letter nu (ぬ), read as kama-wa-nu (鎌輪ぬ, sickle circle nu), interpreted as kamawanu (構わぬ), the old-fashioned form of kamawanai (構わない, don't worry, doesn't matter).