"The archaeological process is not obscured, but becomes part of the work itself by raising questions about the original and the copy.

Undergoing a process of endless reproduction and anamorphosis, the painting sculptures appear like "totem(s) of cultural history".

[4] In 2010, he reproduced the latter's Chambre des Cauchemars of the Abbey of Thelema in a gallery space.

[5] In 2010, he initiated the international artist salon Wonderloch Kellerland in Berlin, satellites of which existed in Los Angeles and Manhattan.

Wonderloch Kellerland is included in the Art Spaces Directory of the New Museum, New York.