[4][5] She has lived and worked in seven different Canadian provinces[6] and has taught critical issues for studio artists, photography, and digital imaging at York University and Grenfell Campus.
[7] As an academic, Horowitz is interested in practice-based scholarship and the boundaries between expert and amateur, hobby and work, and leisure and productivity.
[10] Landscapes and Silence featuring Horowitz’s work Starfields and Fields (2016), was realized with the collaborative support of Edgar Pinto and exhibition co-curator Tanya Abraham of the Kashi Art Gallery and the Art Outreach Society (TAOS) in Kochi, Kerala.
Incorporating aspects of participatory science and data visualization, the exhibit combines astronomy and astrophotography with mapping of the ecliptic, background stars, and Saturn,[11] a mechanized orbiter (developed with Ray Peterson), kinetic sculptures, and video.
Seventy-five chromogenic prints, and all 175 hours of video in a 13-day loop, were exhibited in her show Blurry Canada at Dunlop Sherwood Village Gallery in Regina in 2011.
This hybrid collaboration consisted of five artists; David Rokeby’s Very Nervous System; Garnet Hertz’s Experiments in Galvanism; Nicholas Stedman’s The Blanket Project; Kevin Yates’ Untitled (Dying Bull) and other works; and Erika Lincoln’s Scale[19].
Horowitz describes the exhibit; “twitch is about comfort; thought; pleasure; mystery; learning; joy; fear; pain; the search for meaning; mythology and enabling myths; our place in the universe; loneliness”.
[4] girl before a mirror (2000) is an MFA project completed at the University of Saskatchewan originally exhibited at the Gordon Snelgrove Gallery.