The addition to the title: Eine vergleichende Studie über die Verfassungen von England, Belgien, Ungarn, Schweden und Frankreich is ‘A comparative survey of the constitutions of England, Belgium, Hungary, Sweden and France’.)
Scholar Nathaniel Berman, who has written extensively on law and international affairs contends that Redslob's work is an example of a modernist tendency that flourished in international law between World War I and World War II.
[1] According to Berman, "[f]or Redslob, the clash between the revolutionary aspirations of nationalism and the self-preserving will of established states was nothing less than that between 'creative freedom and legality.
The modernist principles of international law, reflected in the work of Redslob and others, are: Berman's article has been cited as an example of the interdisciplinary approach that is prominent in the critical legal studies movement.
Legal scholar David Kennedy, speaking of Berman's juxtaposition of Redslob and Picasso, said that "[w]hat is interesting is the way this juxtaposition foregrounds the role of the individual as a culture worker, the producer of legal texts and institutions.