Robert de Févin (late 15th and early 16th centuries) was a French composer of the Renaissance.
He was the brother of Antoine de Févin, a considerably more famous composer at the court of Louis XII of France.
He held the post of maître de chapelle (chorus master) in Cambrai, to the dukes of Savoy, sometime around 1500; he may even have been born there.
Three masses, a four-voice credo from a mass (the rest of which has been lost), two settings of the Lamentations of Jeremiah, one five-voice Marian antiphon (Alma Redemptoris mater), and the music of a six-voice motet (with the text absent) are all that survives of his work.
Robert evidently emulated the style of Josquin, copying not only the smooth polyphony of the more famous composer but basing two of his masses directly on works by him.