Rodrigo de Osona

The second table of the Epiphany, preserved in London, is signed by "The teacher's son Rodrigo", in which, on the contrary, there seems to have more traditional trend seen in the works of the father.

With basic art training, Rodrigo is considered one of the initiators of Renaissance forms in Spanish painting, coming to a full sense of quattrocento italiano.

However, the Italian influences are colored by the knowledge and apply their own formulas of Flemish painting, such as remote expressiveness of idealization.

Aspects of kindness and gentleness cater more devotional type reasons that a streamlined and rigorous view of reality.

The work of the father and son artist team, along with Paolo de San Leocadio, form the basis for Spanish classicism in painting.