Bermuda Triangle Band's wild psychedelic and delicately nuanced electric autoharp and transcendental vocals[1] grew out of the late 1960s folk rock scene.

Performing at first without microphones (as basket houses had no cabaret licenses, thus amplified vocals were illegal), they developed an energized psychedelic folk[8] style with just an electrified autoharp and fast-pulse bass guitar.

For a one-year interlude in 1969, Roger and Wendy fronted a band with Tom Pacheco and Sharon Alexander called Euphoria.

Using Woodstock, New York, as a temporary songwriting base in 1972, the band generated the folk album Roger and Wendy.

Then, in January 2007, they reissued the 1977 Bermuda Triangle LP as a CD after remixing, and adding more autoharp tracks and an additional song.

His sound is shaped with various effects, including wah-wah, phasing, flanging, fuzz, delay, octave and modulation.

[2] He then developed a method of triggering live percussion simultaneously with the autoharp, utilizing technology incorporated into the harp's structure.