Roman Anton Boos

It is unclear if he remained there until Sturm's death in 1757, but the year 1760 found him in the workshop of Johann Baptist Straub in Munich, where he stayed intermittently until 1769.

[2] His first assignment was a figure of Amphitrite, one of several to be placed in the Nymphenburg Palace Gardens but, due to conflicting commitments (and a death) involving the other sculptors, he actually provided nine statues; a project which occupied him until 1785.

However, his church sculptures didn't bring him the anticipated public commissions and he began to suffer financially, turning to smaller works (grave memorials and the like) to make ends meet.

Eventually (in 1802), a fund was established whereby Johann Christian von Mannlich, Director of the Alte Pinakothek, could employ Boos to do work at selected public parks or government buildings, but the sum allotted was too low and he ended by cleaning and repairing statues that he had created at the Nymphenburg Palace twenty years before.

It is probably not a coincidence that his troubles began shortly after the death of Elector Karl Theodor, who was notorious for being more interested in art and philosophy than politics, but there seems to be no reason why his successor, Maximilian Joseph would have had any grievances against Boos.

Roman Anton Boos, from the Bavarian State Library (anonymous, date unknown)
Self-portrait bust (1790), intended for his grave: now in the Bayerisches Nationalmuseum