The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers.
[2] Altogether at least ten Sadelers worked as engravers, in the Spanish Netherlands, Germany, Italy, Bohemia and Austria.
Another Sadeler, Marcus or Marco, was a printer and perhaps publisher who was working in Haarlem in c. 1586–87, and is presumed to be a member of the family, though it is not known where he fits in.
[6] Jan was in Antwerp by 1572; it was then the centre of the printmaking world, with hugely productive workshops producing work for publishers with excellent distribution arrangements throughout Europe.
[10] Aegidius Sadeler (sometimes written Egidius, or Gilles) was also a painter, and a leading Northern Mannerist engraver; the best of the dynasty.
After a trip (apparently alone) to Naples he moved to Prague in 1597, where spent the rest of his life, mostly employed by Emperor Rudolf II.