Possibilities include being named after a laurel (lauro) that once stood nearby, a version of dal Rio ("of the river"), or once standing on an area of dried-up swamp (luprio).

The current one is the work of Gaetano Callido, completed in 1776. the cantoria Show in the middle: Dispute of Jesus with the doctors of the temple; on the left: Appeal of the Apostles; on the right: Martyrdom of Saint James, three paintings by Andrea Schiavone of the sixteenth century.

The altar of the Madonna The arrangement dates from 1832 (see the tombstone on the left) with elements of Romanesque decoration of an unidentified desecrated church, anonymous work of the school Gaspari.

The painting of the altar: St. Lawrence, between St. Julian and St. Prosper (1581), Paolo Veronese, work offered by Laura Barbarigo, widow of the noble Giacomo Malipiero died in 1572.

On the wall of separation with the nave: The passage of the Red Sea, above the door: Christ placed in the tomb and on the right panel The Easter lamb.