[2] As a teenager, Mujinga wanted to become an architect, but wasn't accepted to the school she applied to, and began studying at Malmö Art Academy instead.
[4] Mujinga's work "poignantly speaks to Black representation, surveillance in society, and post-humanist and Afrofuturist ideas",[5] and often uses new technologies such as holograms and video installations.
[6] In Sentinels of Change (2021), which was exhibited at the Venice Biennale in 2022, large human-like shapes were draped in recycled textiles and saturated in green light.
[9] The jury celebrated the "ghostly-looking figures made of interwoven lengths of fabric that seem to float through the Hamburger Bahnhof exhibition spaces", and Mujinga's "great sensitivity for the materials used.
The figure is enacted by performance artist Adrian Blount who is wearing a wearable, leather sculpture made by Mujinga that is inspired by the Jamaican body builder Anne-Marie Crooks.