[2] Angelucci's works explore archival materials such as home movies, snapshots and vintage portraits and their limitations.
[2] Her major works include Aviary (2013), an exhibition of avian-morphed, faux-Victorian portrait photography, video and audio in the collection of Art Gallery of York University.
Born of the domestic realm, they express a conflation of interests where the family photo album, with its role of commemoration, is brought together with natural science and spiritual emanations.
Made by combining photographs of endangered or extinct North American birds with anonymous nineteenth century cartes-de-visite portraits—they portray creatures about to become ghosts.
Once the most numerous bird in North America, numbering in the billions, it was wiped out by 1914 through a combination of brutal over-hunting and habitat destruction.