Satoshi Ashikawa

[2] The shop was one of the first in Japan to import Brian Eno's Ambient records alongside a niche selection of avant garde and ethnographic LPs, and became a hub for the influential kankyō ongaku (環境音楽) 'environmental music' scene.

[3] Ashikawa's keyboard piece 'Still Space' was later featured as the opening track on Light in the Attic's compilation Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990.

[5] The label released three LPs as part of the Wave Notation series: Hiroshi Yoshimura's Music For Nine Post Cards (1982), Ashikawa's Still Way (1982) and Satsuki Shibano's Erik Satie (France 1866-1925) (1984).

Still Way was Ashikawa's only full-length release and featured celebrated percussionist Midori Takada alongside harp, piano and flute players.

"[6] The album received a resurgence in popularity thanks to online sharing in the late 2010s and was reissued on CD and vinyl in 2019 by WRWTFWW Records.