Bremer turns photographs, found or snapped, of himself and his family into trippy, dusty memories that reveal the subconscious and the real world in one blink of an eye.
He invents a poetic braille made up of text, personal symbols and ghostly shapes that, when integrated with their complex grounds, disappear again, buried in a sea of suspended dots.
By slowly and laboriously painting on top of quickly taken snapshots, Bremer slows down time to render an interior landscape.
He received the Werkbeurs Grant from FBKVB in the Netherlands and moved to New York in 1992 where he began to work primarily in black and white, reemphasizing his connection to photography.
In the same year he worked on a small edition of jewelry pieces in collaboration with Moritz Glik for Karen LaGatta editions, a commission for the Rabobank in the Netherlands and new works for various group shows, as well as an upcoming solo show at Mia Sundberg Galleri in Stockholm.