[5] His work has been exhibited all over the world including in the middle of Times Square with his 2015 public art installation A Pause in the City that Never Sleeps, where the artist's yawning face appeared on multiple of the monitors.
Using humor in designs such as T for TWO, a shareable split down the middle mug,[10] and Cocaine Slab, a tray with four linear embedded slots for the perfect line,[11] Errazuriz has been able to create unorthodox solutions.
[10] One of Errazuiz's most iconic pieces, the 2009 Boat Coffin allows its occupants to sail off in their eternal resting place in style, noting the inevitability of death.
In 2012 Errazuriz' once again expanded on his work taking aim at religion when he expressed his intentions to CNN of distributing 100 controversial popsicles he had designed to bring attention to America's growing religious extremism violence.
[14] Other pieces are in the form of clothing garments like Rapist, a monogrammed letterman jacket meant to expose "the incidence of rape on college campuses while playfully dwelling on the idolization of the attackers.
[25] The chairs began as a concept for use in the actual Occupy Movement spaces and were then given a second use as a way to infiltrate 1% homes with purchased art featuring 99% voices.
As a double-sided mirror, the Occupy Chairs also explore the potential for these complaints against the richest one percent to be transformed into glamorous fashionable catchphrases in design-art pieces that celebrate the exclusive luxury market.
From a series of found branches and tree parts from South America, Errazuriz created a collection of shelves tables, allowing nature to help dictate the design.
It places our very existence in perspective at a global level – as a tiny spec in space – beckoning us to live fully with awareness and mindfulness of our limited time on this vulnerable and beautiful planet."
[37] In 2017 Errazuriz Founded Cross Lab,[5] which is self-described as: "A young creative studio that mixes art, technology, design, and communications to produce innovative solutions for contemporary issues.
(We) explore alternative ideas and investigate the impact of emerging technologies to help organizations, institutions, and brands confront current and future challenges.
[39] This Piece titled "Vandalized Balloon Dog" was created as a direct criticism of Koons Partnership with Snapchat "which saw digital 3D versions of the artist's best-known sculptures appear in international tourists hot-spots via augmented reality".
The piece, a sculpture of a tree from the Jura Mountains,[41] was created with "highly mechanized technology—robotic arms carved the elegant limb based on CAD drawings—and labor-intensive craftsmanship.
For the collection The Beginning of The End, Errazuriz created a series of eight sculptures that "depict influential figures in the tech world — Mark Zuckerberg, Elon Musk, Steve Jobs, Jeff Bezos, Edward Snowden and more — re imagined as mythological Gods and emperors in the form of Roman statues.
It places our very existence in perspective at a global level – as a tiny spec in space – beckoning us to live fully with awareness and mindfulness of our limited time on this vulnerable and beautiful planet.