"[3] Lyrical themes explore evolution, the advancement of humanity, challenging restrictive concepts and rules, the ideals of promoting the greater good over oneself, and the adverse effects of capitalism.

Their albums have been co-produced and engineered with avant-garde percussionist Sarah Hennies, Daniel Myer of Haujobb, Paul Kendall, Andrew Sega, Alex Perialas, and Bob Power.

Pop music critic Ben Rayner of the Toronto Star reviewed Seeming's debut album Madness and Extinction.

[2] Industrial music review site A Model of Control ranked Seeming's three albums tenth, first, and third respectively in their year-end lists for 2014, 2017, and 2020.

[4][5][6] They later named SOL: A Self-Banishment Ritual the best album of the 2010s, describing it as "a release of towering intensity, belief, and scope".