Sensorium

[3] Focusing on variations in the sensorium across social contexts, these theorists collectively suggest that the world is explained and experienced differently depending on the specific "ratios of sense" that members of a culture share in the sensoria they learn to inhabit (Howes 1991, p. 8).

More recent work has demonstrated that individuals may include in their unique sensoria perceptual proclivities that exceed their cultural norms; even when, as in the history of smell in the West, the sense in question is suppressed or mostly ignored (Classen, Howes and Synnott 1994).

Frequently the blind or deaf speak of a compensating effect, whereby their sense of touch or smell becomes more acute, changing the way they perceive and reason about the world; especially telling examples are found in the cases of "wild children", whose early childhoods were spent in abusive, neglected, or non-human environments, both intensifying and minimizing perceptual abilities (Classen 1991).

One revealing contrast is the thought of a former Russian on the matter: As David Howes explains: These sorts of insights were the impetus for the development of the burgeoning field of sensory anthropology, which seeks to understand other cultures from within their own unique sensoria.

A key researcher in this field has been psychologist James J. Gibson, who has written numerous seminal volumes considering the senses in terms of holistic, self-contained perceptual systems.

These exhibit their own mindful, interpretive behaviour, rather than acting simply as conduits delivering information for cognitive processing, as in more representational philosophies of perception or theories of psychology (1966, 1979).

These systems represent and enact the information (as an influence which leads to a transformation) required to perceive, identify or reason about the world, and are distributed across the very design and structures of the body, in relation to the physical environment, as well as in the concepts and interpretations of the mind.

Any single perceptual modality may include or overlap multiple sensory structures, as well as other modes of perception, and the sum of their relations and the ratio of mixture and importance comprise a sensorium.