Serpentine dance

[1] By her own account, which is widely reported, having never danced professionally before, she accidentally discovered the effects of stage light cast from different angles on the gauze fabric of a costume she had hastily assembled for her performance in the play Quack M.D., and spontaneously developed the new form in response to the audience's enthusiastic reaction upon seeing the way her skirt appeared in the lights.

"[2] By 1891, Fuller combined her choreography with silk costumes illuminated by multi-coloured lighting of her own design, and created the Serpentine Dance.

[3] After much difficulty finding someone willing to produce her work when she was primarily known as an actress, she was finally hired to perform her piece between acts of a comedy entitled Uncle Celestine, and received rave reviews.

Fuller achieved critical success with her Serpentine performances at the Casino and—when a dispute with Aronson forced her to switch venues—at the Madison Square Theatre.

The Serpentine Dance was a frequent subject of early motion pictures, as it highlighted the new medium's ability to portray movement and light.

Portrait of Fuller by Frederick Glasier, 1902