After working briefly at a one-grade rural school, he studied psychology, music education and musicology at the Martin Luther University of Halle-Wittenberg.
Ein Beitrag zur Musikpsychologie und Musikästhetik auf der Grundlage elektro-optischer Untersuchungen.
His Rodellied (Schneemann bau'n und Schneeballschlacht)[6] was part of the standard repertoire in kindergartens and schools in the GDR and was extremely popular.
Source:[1][9] Bimberg's writings include among others experimental-psychological works on tonality research, in which he deals with the equivalence of major and minor in music, on perception (law of "relative constancy") or on the relation of different acoustic tuning when singing intervals in Gregorian and harmonical orientation (law of "variable reagent").
In addition, he also dealt with music-aesthetic and music-pedagogical topics, such as for example the fundamentals of music reception (known as the position of the"Dialogischen Musikaneignung").