artist collective and the director of its digital work, Good Stock on the Dimension Floor: An Opera which was accepted for the 2014 Whitney Biennial.
[3] Many of her works are variations on collages of acrylic paint and multiple layers of cut or torn paper, assembled into large abstract pieces.
of 38 international mostly black and queer musicians, poets, actors, writers and visual artists to create a digital film about racial identity for the 2014 edition.
[7] Shields explained the withdrawal was due to not only Scanlan but also:"...the history of the Whitney and its lack of any kind of initiative in changing its white supremacist attitudes.
[10] Shields married fellow artist Chuck Close in 2013[15] and he included her as a subject in his 2017 series Subway Portraits although they had by that time divorced.