[2] Alexander participated in the Society's exhibitions with bookplates based on his sketches and watercolors from northern canoe trips.
It favored intaglio and insisted that the artist should be involved in each stage of production including drawing, engraving or etching, and printing the block or plate.
[4] The Society began holding annual exhibitions in 1919 at the Art Gallery of Toronto.
[5] The Canadian Society of Graphic Art (CSGA) was exhibiting serigraphs by the mid-1930.
[5] Jo Manning, who made prints between 1960 and 1980, was an executive member of the Canadian Society of Graphic Art and a member of the Canadian Society of Painter-etchers and Engravers.