Since then, she has been highly recognizable for her public artwork, such as the mosaic print installation at the MacArthur Park Metro Station.
She has stated in interviews that as a student she was drawn to printmaking because of its potential for mass communication, through the built-in ability for multiplying designs.
For instance, her 2014 piece, Bee Pile, included in the Estampas de la Raza exhibit at the North Carolina Museum of Art, brought together iconography from her ethnic background with mediations of honey bees to draw attention to Colony Collapse Disorder.
[11][3] Dambrot of KCET, describes Romero's latest ongoing print series, "Revolving Landscape" as: ...the story of her whole life and career -- a story of a diversity of intertwined and overlapping influences, from her parents (both painters) to her neighborhood (North East LA) to her education (Rhode Island School of Design) that have each left indelible marks on who she is and what she is about.
And that is, the fusion of those influences into a deeply personal, deliberately accessible modern traditionalism, expressing itself in the romantic, thorny, fabulist urban storytelling that has made her one of the brightest rising stars in the local visual-culture firmament.Romero is also considered a favorite artist among the "indie art" community, with a popular Etsy store, She Rides the Lion (named after her studio), where she previously sold her prints.