[2] He has contributed photographs to cover stories of publications such as Time, Wired, Fortune, and Popular Science.
Printing them as negatives, Lowell created an analogy for the creation of art: wherever the emulsion was left on the paper, that would be where matter was forming in space.
When Lowell displayed the prints for his graduation exhibition in 2007, he met Dan Goods, the visual strategist for NASA’s Jet Propulsion Laboratory, who commissioned him to photograph labs and scientists at JPL.
[10] He rejoined Tara in 2014, documenting the work of the sailors and the scientists who analyzed plastic pollution in the Mediterranean Sea.
[13] Much of his commercial portfolio includes portraits of scientists and technology,[14] such as an auto plant, an airborne research lab,[2] an "infrastructure tourist",[15] or a work of art that is powered by magnetism.