Bucher went on to design numerous CD packages including Brand New Day: The Remixes for Sting, and the soundtrack for The Matrix.
His clients included KCRW DJ Jason Bentley, art gallery L.A. Louver, and painter David Hockney makes more frequent use of illustration and hand-lettering.
In her review of the book for Communication Arts magazine, editor Anne Telford said: Using the symbology of rock 'n' roll to document the careers of 30 graphic designers—arbiters of style and chroniclers of popular culture—makes a lot of sense, coming from design dynamo and music fan Stefan Bucher.
[7]In 2004 the Art Directors Club of New York named Bucher one of their "Young Guns", honoring him as one of the leading creatives age 30 and under.
His column ink & circumstance appeared in the pages of the now defunct "STEP inside design" magazine.
[10] In the same year, Bucher designed a yeti character for Saks Fifth Avenue that was produced as a plush animal.
[13] The clips have been downloaded over a million times and are collected, along with selected stories, in the book 100 Days of Monsters with a foreword by Ze Frank.
[14] Variations of the Daily Monster clips appear on the relaunched TV show The Electric Company.