Steps and skips

Melodic motion in which the interval between any two consecutive pitches is no more than a step, or, less strictly, where skips are rare, is called stepwise or conjunct melodic motion, as opposed to skipwise or disjunct melodic motion, characterized by frequent skips.

In other scales an augmented second—an incomposite step equivalent to 3 semitones—and/or a diminished third—a skip of 2 semitones—may be possible.

Melody may be characterized by its degree and type of conjunct and disjunct motion.

For example, Medieval plainchant melodies are generally characterized by conjunct motion with occasional thirds, fourths, and generally ascending fifths while larger intervals are quite rare though octave leaps may occur between two separate phrases.

[4] Renaissance melodies are generally characterized by conjunct motion, with only occasional leaps of more than a fifth and then rarely anything but a sixth or octave.

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, und Tod". Play
" Pop Goes the Weasel " melody [ 2 ] is primarily steps. Play
Webern's Variations for orchestra (1940), op. 30 (pp.23–24) melody [ 3 ] is primarily skips. Play