She came to prominence in the early 1980s, with works that echoed and argued with the dominant postmodern feminist aesthetic of the time.
In the years since, her focus has never waned yet her aesthetic interests have moved toward abstraction along with her subject matter and memories.
[1] In the 1990s violence against women was one of the main themes of Sue Williams' work.
She often represents women as sex objects, frequently adding sarcastic texts.
[2] Sue Williams is represented by 303 Gallery, New York; Regen Projects, Los Angeles; Skarstedt, New York; and Galerie Eva Presenhuber, Zurich.