Bima Sultanate

[3] It was a regionally important polity which formed the eastern limit of Islam in this part of Indonesia and developed an elite culture inspired by Makassarese and Malay models.

Shipping and commerce grew rapidly, as attested by the Portuguese Tomé Pires (c. 1515) who says that Bima exported clothes, horses, slaves, and Brazilwood though this is most likely Sappanwood.

Thus, at the end of the 15th century the Kingdom of Bima Mbojo evolved into a crowded commercial center in the eastern archipelago, at the side of Gowa and Ternate.

After some years they returned and used their acquired skills to reform society, planning wet rice fields, improving irrigation systems, and appointing local functionaries.

According to tradition, Aside from the territories on Sumbawa Island, the dependencies included Manggarai, Ende and Larantuka on Flores, Sumba, Sawu, Alor and Solor.

[8] The kingdom of Bima Mbojo continued to flourish until the death of Sangaji Wa'a Ndapa Ma, son of Manggampo Donggo, around the end of the 16th century AD.

The kingdom of Makassar conducted a series of military campaigns in all directions in the early 17th century, partly with the aim to spread Islam in the archipelago.

[9] According to Bimanese tradition written down in the Bo (an old record of historical events in the Bima Palace), king number XXVI (in another count XXXVI), Mantau Asi Sawo, signed a contract of alliance with Makassar.

Salisi successfully resisted the Makassarese forces for a while, but was eventually defeated by a fleet from Sulawesi led by the Bimanese grandee La Mbila.

[10] La Kai was installed as king number XXVII, with the title "Ta Ma Bata Wadu Ruma" (He who has a stone grave).

According to the Bo this king was married to the sister of the wife of Sultan Alauddin of Makassar named Daeng Sikontu, who was the daughter of Karaeng Kassuarang.

The population was divided into a large number of task groups called dari, sometimes likened to European guilds since they were defined according their hereditary profession.

The king, his vizier (Ruma Bicara), and the royal council, had the ability to reach down to village level and could therefore ensure a relatively stable society.

[13] During the reign of Abu'l-Khair Sirajuddin the Makassar empire was soundly defeated by the Dutch East India Company (VOC) in 1667 and again in 1669.

The colonial overlords were keen on securing deliveries of the valuable Sappanwood from the Sumbawan forests, and enforced a monopoly on exports of the wood that lasted until 1874.

A Makassarese princess married a Bimanese prince in 1727, and the court of Makassar claimed Manggarai as a sunrang (bridewealth), leading to a long dispute over this area.

However, the Dutch rapidly retook their former positions on Sumbawa and forced Muhammad Salahuddin to hand back Dompu to its own sultan family.

Together with large parts of the eastern archipelago, the sultans on the island were pressed to join the new Dutch-created quasi state of East Indonesia in December 1946.

The ancient Bima script, known as Tunti Mbojo . Is derived from the Pallava-Kawi script.
The new Bima script, influenced by intense trade relations with the Bugis-Makassar around the 17th century, is known as Tunti Bou . It was later replaced by the Pegon/Malay Arabic script during the Sultanate era.
Bima's territory first appeared on the earliest Malay-Portuguese map created by Europeans in 1563
The Nggusu Waru flag of the Bima Kingdom era
The Main Distribution Area of the Mbojo Tribe and the Ncuhi Mbojo Area (Ancient Bima) before being divided into East Bima and West Bima (Dompu) in the 13th/14th century.
Greatest extent of the Bima Kingdom era at its Peak in the 15th Century under the Leadership of Tureli Manggampo Bilmana. As recorded in the BO' Sangaji Kai; book or the diaries of the Bima kings
Crown of the Bima Sultanate
Mbangga Mbaru, symbol of the Bima Sultanate
Painting of the Ancient Tombs of the Bima Kings (1821)
Map of Bima in 1910, showing administrative boundaries. This does not include Bima's territories in Manggarai .
Serimpi style dancers at the court of the Sultan of Bima, Sumbawa