[1] The Down Beat review by Alain Drouot says, "Adasiewicz is a physical player equally at ease with material that requires a more gentle touch.

"[2] The All About Jazz review by Nic Jones says, "Sure, it's possible to name check both '60s-era Bobby Hutcherson and Walt Dickerson as points of reference, but they serve simply to highlight the fact that Adasiewicz is — for want of a better way of putting it — of a modern persuasion in both his composing and playing.

"[3] AAJ's Mark Corroto commented: "The vibraphone, like the bass clarinet, can be pushed to extremes, yet never sounds bellicose or threatening.

"[9] Writing for Exclaim!, Nilan Perera stated that the music is "performed with warmth and sensitivity," and commented: "The compositions themselves are quite beautiful, displaying an economy of line and exploring the distinct sounds of the vibes in a way that goes beyond the pianistic analogy.

"[10] In an article for PopMatters, John Garratt remarked: "add up the resumes for all three of these guys, and you get quite the modern jazz nexus brewing.