[4] The same year her image was included the iconic poster Some Living American Women Artists by Mary Beth Edelson.
Many of these images are faceless and rendered in reddish or grayish mud tones and textures, suggestive of clay, slate, or dust (or perhaps the color is, as the New York Times commented, "fecal brown").
The victims themselves are outlined in ghostly white chalk, becoming, in the words of the New York Times review, "spectral icons of martyrdom.
The aim of her work was to highlight the destructive and detrimental ways prisoners are treated.
The work was on display in the Lukacs and Experimental Space Galleries in Loyola Hall.