Suzuri-bako

[1] Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage.

[1] Due to the insoluble nature of resin-based lacquer, the contents of the writing box were relatively safe from moisture.

[2] From the Muromachi period onward, many writing boxes have been decorated with images from Japan's great works of literature.

[2] Kōdaiji Temple in Kyoto became associated with a style of Suzuri-bako decoration that featured asymmetrical patterns and autumn grasses.

[2] Advancements in technology and manufacturing processes during the Meiji period resulted in a development of a number of new box shapes and sizes.

A larger Edo period suzuri-bako depicting eight bridges and iris, lacquerware and mother-of-pearl, attributed to Ogata Kōrin ( National Treasure )
Open box with writing implements inside such as brushes, inkstone, water container, and knife