Taos Pueblo (book)

A seminal work in his career, it marks the beginning of a transition from his earlier pictorialist style to his signature sharp-focused images of the Western landscape.

[4] Adams said he picked the final selection of images to match Austin's prose, and in part because of this her text is said to have "mirrored the sturdy repetitions of the pueblo architecture"[4] as seen in many of the photographs.In spite of the book's title one of Adams' signature images from the book was taken at San Francisco de Asis Mission Church, which is not part of the pueblo itself but is located several miles away.

Adams insisted that the book have a consistent appearance throughout, and to meet his high standards a special paper was created that was used for both the text and the photographs.

[5] Bender set the price of the book at $75 per copy, which was a very high figure during the Great Depression when the average annual income for an American family was about $1,300.

In the afterword to that edition, photographic historian Weston Naef wrote: With Taos Pueblo we see a commitment to light and form as the essential building blocks of a picture.

Neither films nor papers can record the two extremes of bright sun and deep shadow equally well, and an unhappy tonal compromise is often the result.

Rich shadow detail is here realized simultaneously with delicate highlights in a way that proves Adams’ native sense for the toughest technical problems of the medium, and how to solve them.”[8]In September, 2011, a copy of the original 1930 edition was offered for sale for $85,000.

St. Francis Church, Ranchos de Taos, New Mexico , one of twelve photographs by Ansel Adams in Taos Pueblo .