The play explores the absurdities present in Nigerian society, particularly under military rule, and by extension, in any African nation where regressive systems remain unchallenged due to a lack of checks and balances.

A prestigious wedding between two prominent families is about to take place in the plaza, but tensions arise when the bride, Miseyi, challenges traditional customs by presenting herself to Sanda instead of her intended groom.

Through a network of characters, including Judge, Barber, Trader, Mama Put, Boyko, Cyclist, Minstrel, and Miseyi, the play explores themes of power, corruption, and societal hierarchy in Lagosian society.

Ikorodu, with its distinct culture and identity, adds depth to the play's portrayal of Lagos, showcasing the city's rich tapestry of communities and traditions.

Through its vivid portrayal of Lagosian life, the play captures the essence of Nigeria's largest city and offers a nuanced exploration of its social, political, and cultural landscape.