Both comically striving to live the bourgeois rituals they learned from their upbringing and adopted from the media and blissful television comedies.
In the style of a film parody, Dietmar shoots one of the criminals on the beach and flees with Luzi in a small sports plane towards an uncertain future, but the couple is overjoyed to be together again.
[2] "As grotesque and entertaining as von Praunheim's trivial plot appears on screen, The Bed Sausage nonetheless has the qualities of a serious, well thought-out sociogram."
- Der Spiegel[3] "Produced with modest means and wholeheartedly embracing the camp aesthetic, an anarchic comedy about middle-class love in Kiel.
His film The Bed Sausage, which premiered on ZDF, confirmed once again what his works Pink Workers on Golden Street and Sisters of the Revolution, which have already been shown at many festivals, characterise: A mixture of artistic inventiveness, social awareness and humour that is exceedingly rare in Germany."